Faulkner Reading from The Town
UVA, 5 June 1957
PLAY CLIP

    There is a ridge; you drive on beyond Seminary Hill and in time you come upon it: a mild unhurried farm road presently mounting to cross the ridge and on to join the main highway leading from Jefferson to the world. And now, looking back and down, you see all Yoknapatawpha in the dying last of day beneath you. There are stars now, just pricking out as you watch them among the others already coldly and softly burning; the end of day is one vast green soundless murmur up the northwest toward the zenith. Yet it is as though light were not being subtracted from earth, drained from earth backward and upward into that cooling green, but rather had gathered, pooling for an unmoving moment yet, among the low places of the ground so that ground, earth itself is luminous and only the dense clumps of trees are dark, standing darkly and immobile out of it.

    Then, as though at signal, the fireflies—lightning-bugs of the Mississippi child's vernacular—myriad and frenetic, random and frantic, pulsing; not questing, not quiring, but choiring as if they were tiny incessant appeaseless voices, cries, words. And you stand suzerain and solitary above the whole sum of your life beneath the incessant ephemeral spangling. First is Jefferson, the center, radiating weakly its puny glow into space; beyond it, enclosing it, spreads the County, tied by the diverging roads to that center as is the rim to the hub by its spokes, yourself detached as God Himself for this moment above the cradle of your nativity and of the men and women who made you, the record and chronicle of your native land proffered for your perusal in ring by concentric ring like the ripples on living water above the dreamless slumber of your past; you to preside unanguished and immune above this miniature of man's passions and hopes and disasters—ambition and fear and lust and courage and abnegation and pity and honor and sin and pride all bound, precarious and ramshackle, held together by the web, the iron-thin warp and woof of his rapacity but withal yet dedicated to his dreams.

    They are all here, supine beneath you, stratified and superposed, osseous and durable with the frail dust and the phantoms—the rich alluvial river-bottom land of old Issetibbeha, the wild Chickasaw king, with his Negro slaves and his sister's son called Doom who murdered his way to the throne and, legend said (record itself said since there were old men in the county in my own childhood who had actually seen it), stole an entire steamboat and had it dragged intact eleven miles overland to convert into a palace proper to aggrandise his state; the same fat black rich plantation earth still synonymous of the proud fading white plantation names whether we—I mean of course they—ever actually owned a plantation or not: Sutpen and Sartoris and Compson and Edmonds and McCaslin and Beauchamp and Grenier and Habersham and Holston and Stevens and De Spain, generals and governors and judges, soldiers (even if only Cuban lieutenants) and statesmen failed or not, and simple politicians and over-reachers and just simple failures, who snatched and grabbed and passed and vanished, name and face and all. Then the roadless, almost pathless perpendicular hill-country of McCallum and Gowrie and Frazier and Muir translated intact with their pot stills and speaking only the old Gaelic and not much of that, from Culloden to Carolina, then from Carolina to Yokpatawpha still intact and not speaking much of anything except now they called the pots "kettles" though the drink (even I can remember this) was still usquebaugh; then and last on to where Frenchman's Bend lay beyond the southeastern horizon, cradle of Varners and ant-heap for the northeast crawl of Snopes.

    And you stand there—you, the old man, already white-headed (because it doesn't matter if they call your gray hairs premature because life itself is always premature which is why it aches and anguishes) and pushing forty, only a few years from forty—while there rises up to you, proffered up to you, the spring darkness, the unsleeping darkness which, although it is of the dark itself, declines the dark since dark is of the little death called sleeping. Because look how, even though the last of west is no longer green and all of firmament is now one unlidded studded slow-wheeling arc and the last of earth-pooled visibility has drained away, there still remains one faint diffusion, since everywhere you look about the dark panorama you still see them, faint as whispers: the faint and shapeless lambence of blooming dogwood returning loaned light to light as the phantoms of candles would.

    And you, the old man, standing there while there rises to you, about you, suffocating you, the spring dark peopled and myriad, two and two seeking never at all solitude but simply privacy, the privacy decreed and created for them by the spring darkness, the spring weather, the spring which an American poet, a fine one, a woman and so she knows, called girls' weather and boys' luck. Which was not the first day at all, not Eden morning at all because girls' weather and boys' luck is the sum of all the days: the cup, the bowl proffered once to the lips in youth and then no more; proffered to quench or sip or drain that lone one time and even that sometimes premature, too soon. Because the tragedy of life is, it must be premature, inconclusive and inconcludable, in order to be life; it must be before itself, in advance of itself, to have been at all.


AND ON TO THE REST OF THE WORLD . . .