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I am primarily interested in photography for its sense of the real.
I get excited about objects and places and all the supplementary things
that make up the main experiences in life. I want to represent these
as meaningful things so I use the veracity of photographic depiction
to help convey that connection. Concomitantly, I want to produce an
experiential view and not just a scenic one. I try to expand on the
descriptive abilities of photography and embrace its transformative
qualities. My work focuses on the landscape. How we stand in relation
to it, how we move from the general to the specific, and how our lives
are interwoven into the histories of places. I make photographs not
only to honor what is in front of the camera, but also to create a sense
of inclusion. The act of attention is a way of belonging. In this way
photography is a tool that supports and builds our involvement with
the world. A landscape is a presentation of forces at work, from the
biological and geological to the human. The display of those forces
can be tremendously subtle. As an artist I am interested in the properly
evocative and appropriately sensitive quality of that presentation.
How the context of something helps us understand what it is. How shapes,
as both symbol and metaphor, help us acknowledge space. How space, combined
with our experience and memory, defines a place.
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